Keyword Search | Journal Search | Advanced Search | Browse | Libraries/Archives | New Books | Preferences | Results List | Previous Searches | Help | Feedback
  Save/Mail  

Full View of Record

Choose format: Standard format Catalog card Citation Name tags MARC tags
Record 27 out of 274 Previous Record   Next Record
Record Number   000288977
ISBN   Link9781107118256 (hardback)
Main Entry   LinkHedreen, Guy Michael, 1958-. author
Title   LinkThe image of the artist in archaic and classical Greece :. art, poetry, and subjectivity / Guy Hedreen, Williams College, MA.
Imprint   LinkNew York, NY : Cambridge University Press, 2016.
Descr.   xv, 364 pages ; 27 cm.
Language   eng
Bibliogr.   Includes bibliographical references (pages 330-348) and index.
Contents   Introduction: "I am Odysseus" -- 1. Smikros and Euphronios : pictorial alter ego -- 2. Archilochos, the fictional creator-protagonist, and Odysseus -- 3. Hipponax and his make-believe artists -- 4. Hephaistos in epic : analog of Odysseus and antithesis to Thersites -- 5. Pictorial subjectivity and the Shield of Achilles on the Francois vase -- 6. Frontality, self-reference, and social hierarchy : three Archaic vase-paintings -- 7. Writing and invention in the vase-painting of Euphronios and his circle -- Epilogue: Persuasion, deception, and artistry on a red-figure cup
Abstract   "This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece"-- Provided by publisher
Subject - Lib.Cong.   LinkVase-painting, Greek -- History
  LinkVase-painting, Greek -- Themes, motives
  LinkGreek Poetry -- History and criticism
  LinkGreek Poetry -- Themes, motives
  LinkArt and literature -- Greece -- History -- To 1500
  LinkSubjectivity in art
  LinkSubjectivity in literature
  LinkArts, Greek -- History
  LinkGreece -- Intellectual life -- To 146 B.C.
Electronic Location    Cover image http://assets.cambridge.org/97811071/18256/cover/9781107118256.jpg 
 
Holdings   All items
holdings (2)   Blegen LibraryLibrary Info
holdings (2)   British School LibraryLibrary Info
Holdings (5)   Only filtered items

Choose format: Standard format Catalog card Citation Name tags MARC tags

Previous Record   Next Record


End Session - Preferences - Feedback - Help - Browse - Search - Results List - Previous Searches - Databases

Note: During regular backups of Ambrosia, which occur between 04:00-05:00 A.M. Athens Time (01:00-02:00 A.M. GMT), the system will be unavailable